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Joanne Armitage
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Spaces to fail in: negotiating gender, community and Technology in Algorave
JL Armitage
Dancecult: Journal of Electronic Dance Music Culture 10 (1), 2018
132018
Don’t touch my MIDI cables: gender, technology and sound in live coding
J Armitage, H Thornham
Feminist Review 127 (1), 90-106, 2021
112021
Feeling sound: Exploring a haptic-audio relationship
J Armitage, K Ng
Music, Mind, and Embodiment: 11th International Symposium, CMMR 2015 …, 2016
112016
A hybrid swamp lantern.
J Armitage, B Phillips
112011
mConduct: A Multi-sensor Interface for the Capture and Analysis of Conducting Gesture
J Armitage, K Ng
Electronic Visualisation in Arts and Culture, 153-165, 2013
102013
mConduct: Gesture transmission and reconstruction for distributed performance
P Bakanas, J Armitage, J Balmer, P Halpin, K Hudspeth, K Ng
International conference on information technologies for performing arts …, 2012
92012
The colour of music: Real-time music visualisation with synaesthetic sound-colour mapping
K Ng, J Armitage, A McLean
Electronic Visualisation and the Arts (EVA 2014), 2014
82014
Augmented opera performance
JL Armitage, K Ng
International Conference on Information Technologies for Performing Arts …, 2013
82013
Tactile composition: configurations and communications for a musical haptic chair
J Armitage, K Ng
ICMC, 2014
42014
Configuring a haptic interface for music performance
J Armitage, K Ng
Electronic Visualisation and the Arts (EVA 2015), 2015
22015
‘Unheard’Sounds
J Armitage, K Ng
Electronic Visualisation and the Arts (EVA 2015), 2015
22015
Multimodal Music Composition
J Armitage, N Kia
Electronic Visualisation and the Arts (EVA 2013), 2013
22013
ALGOBABEZ: Writing Code, Pushing Buttons
S Knotts, J Armitage
Dancecult: Journal of Electronic Dance Music Culture 10 (1), 2018
12018
Judders, Jabs, and Slips: Automation, Anomalies, Movements
H Thornham, J Armitage
Science, Technology, & Human Values 49 (1), 151-174, 2024
2024
Don’t Touch My MIDI Cables: Gender, Technology and Sound in Live Coding
H Thornham, J Armitage
Feminist Review 127 (1), 2021
2021
Artists Statements III
J Armitage, A Skuse, A Goh
array., 76-89, 2017
2017
SEEING SOUND: VISUALISATIONS OF RHYTHM AND SOUNDFOR A MUSICAL CHAIR
KC Ng, J Armitage, M Benatan, L Johnson, D Moore, B Bretherton, ...
Electronic Imaging & the Visual Arts, 37-38, 2015
2015
Proceedings of the 1st International Conference on Live Coding
A McLean, T Magnusson, K Ng, S Knotts, J Armitage
University of Sussex, 0
Artist Statements III The Body in Sound
J Armitage
Eversmann, PGF, 81 Felicetti, A., 131 Fresa, A., 58 Gallo, F., 89 Garra, R., 175
P Ács, G Adembri, N Aloia, W Allasia, A Antonielli, J Armitage, S Atkinson, ...
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Articles 1–20