Prosumption in art S Nakajima American Behavioral Scientist 56 (4), 550-569, 2012 | 71 | 2012 |
The evolution of Chinese film as an industry Y Zhu, S Nakajima Art, politics, and commerce in Chinese cinema, 17-33, 2010 | 55 | 2010 |
Film clubs in Beijing: The cultural consumption of Chinese independent films S Nakajima From underground to independent: Alternative film culture in contemporary …, 2006 | 44 | 2006 |
Watching Documentary: Critical Public Discourses and Contemporary UrbanChinese Film Clubs S Nakajima The New Chinese Documentary Film Movement, 116-134, 2010 | 31 | 2010 |
Re-imagining civil society in contemporary urban China: Actor-Network-Theory and Chinese independent film consumption S Nakajima Qualitative sociology 36, 383-402, 2013 | 28 | 2013 |
The sociability of Millennials in cyberspace: A comparative analysis of barrage subtitling in Nico Nico Douga and Bilibili 1 S Nakajima China’s Youth Cultures and Collective Spaces, 98-115, 2019 | 26 | 2019 |
Film as cultural politics S Nakajima Reclaiming Chinese society: The new social activism, 159-83, 2009 | 20 | 2009 |
The genesis, structure and transformation of the contemporary Chinese cinematic field: Global linkages and national refractions S Nakajima Global Media and Communication 12 (1), 85-108, 2016 | 19 | 2016 |
Chinese film spaces: the social locations and media of urban independent screen consumption S Nakajima Continuum 28 (1), 52-64, 2014 | 13 | 2014 |
Official Chinese film awards and film festivals: History, configuration and transnational legitimation S Nakajima Journal of Chinese Cinemas 13 (3), 228-243, 2019 | 6 | 2019 |
The Chinese film industry in the Reform era: Its genesis, structure, and transformation since 1978 S Nakajima University of California, Berkeley, 2007 | 6 | 2007 |
as an Industry Y Zhu, S Nakajima Art, Politics, and Commerce in Chinese Cinema 1, 17, 2010 | 4 | 2010 |
Film Clubs in Beijing S Nakajima From Underground to Independent: Alternative Film Culture in Contemporary …, 2006 | 4 | 2006 |
The Next Generation Automobile Industry as a Creative Industry S Nakajima Economic Research Institute for ASEAN and East Asia, 2019 | 3 | 2019 |
The Paradox of Class Labeling in the Mao Era: Bio-Power, Racism, and the Question of Violence S Nakajima Journal of Contemporary East Asia Studies 4 (1), 3-20, 2015 | 3 | 2015 |
Cosmopolitan Dream, Colonial Hegemony: The Manchurian Motion Picture Corporation and the Production of My Nightingale (1943) S Nakajima Manuscript in progress, 0 | 3 | |
Studies of Chinese cinema in Japan S Nakajima Journal of Chinese Film Studies 1 (1), 167-186, 2021 | 2 | 2021 |
Watching documentary: The enablement of critical public discourses in contemporary urban Chinese film clubs S Nakajima American Sociological Association Annual Meeting, Boston 31, 2008 | 2 | 2008 |
5 The sociability of Millennials in cyberspace S Nakajima China’s Youth Cultures and Collective Spaces: Creativity, Sociality …, 2019 | 1 | 2019 |
Imagining America: The origins of Japanese public opinion toward the United States in the cold war MC Tsai, S Nakajima Social Commentary on State and Society in Modern Japan, 117-139, 2016 | 1 | 2016 |