| Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period D Deutsch, T Henthorn, E Marvin, HS Xu The Journal of the Acoustical Society of America 119 (2), 719-722, 2006 | 317 | 2006 |
| Early childhood music education and predisposition to absolute pitch: teasing apart genes and environment PK Gregersen, E Kowalsky, N Kohn, EW Marvin American journal of medical genetics 98 (3), 280-282, 2001 | 196 | 2001 |
| Absolute pitch: prevalence, ethnic variation, and estimation of the genetic component. PK Gregersen, E Kowalsky, N Kohn, EW Marvin American journal of human genetics 65 (3), 911, 1999 | 179 | 1999 |
| Relating musical contours: Extensions of a theory for contour EW Marvin, PA Laprade Journal of Music Theory 31 (2), 225-267, 1987 | 155 | 1987 |
| The musician's guide to theory and analysis JP Clendinning, EW Marvin WW Norton & Company, 2016 | 154 | 2016 |
| Pitch-class distribution and the identification of key D Temperley, EW Marvin Music Perception 25 (3), 193-212, 2008 | 107 | 2008 |
| The effect of modulation and formal manipulation on perception of tonic closure by expert listeners EW Marvin, A Brinkman Music Perception 16 (4), 389-407, 1999 | 75 | 1999 |
| The perception of rhythm in non-tonal music: Rhythmic contours in the music of Edgard Varèse EW Marvin Music Theory Spectrum 13 (1), 61-78, 1991 | 69 | 1991 |
| Concert music, rock, and jazz since 1945: essays and analytical studies EW Marvin, R Hermann University Rochester Press, 2002 | 44 | 2002 |
| Riemann's" Ideen zu einer'Lehre von den Tonvorstellungen'": An annotated translation RW Wason, EW Marvin, H Riemann Journal of Music Theory 36 (1), 69-79, 1992 | 44 | 1992 |
| The effect of key color and timbre on absolute pitch recognition in musical contexts EW Marvin, AR Brinkman Music Perception 18 (2), 111-137, 2000 | 43 | 2000 |
| A generalization of contour theory to diverse musical spaces: Analytical applications to the music of Dallapiccola and Stockhausen EW Marvin Concert music, rock, and jazz since, 135-171, 1945 | 36 | 1945 |
| A generalized theory of musical contour: Its application to melodic and rhythmic analysis of non-tonal music and its perceptual and pedagogical implications. EW Marvin | 35 | 1990 |
| The core curricula in music theory: Developments and pedagogical trends EW Marvin Journal of Music Theory Pedagogy 26, 255-263, 2012 | 31 | 2012 |
| The Musician's Guide to Aural Skills: Sight-singing, Rhythm-reading, Improvisation, and Keyboard Skills J Phillips, P Murphy, EW Marvin, JP Clendinning WW Norton & Company, 2011 | 29 | 2011 |
| Direct electrical stimulation in the human brain disrupts melody processing FE Garcea, BL Chernoff, B Diamond, W Lewis, MH Sims, SB Tomlinson, ... Current Biology 27 (17), 2684-2691. e7, 2017 | 20 | 2017 |
| Intrinsic motivation: The relation of analysis to performance in undergraduate music theory instruction EW Marvin Journal of Music Theory Pedagogy 8, 47-57, 1994 | 17 | 1994 |
| Research on tonal perception and memory: What implications for theory pedagogy EW Marvin Journal of Music Theory Pedagogy 9, 31-70, 1995 | 16 | 1995 |
| Analytical Issues and Interpretive Decisions in Two Songs by Richard Strauss M Rolf, EW Marvin Intégral 4, 67-103, 1990 | 14 | 1990 |
| The Structural Role of Complementation in Webern's" Orchestra Pieces (1913)" EW Marvin Music Theory Spectrum 5, 76-88, 1983 | 10 | 1983 |
