| Numerical simulations of piano strings. I. A physical model for a struck string using finite difference methods A Chaigne, A Askenfelt The Journal of the Acoustical Society of America 95 (2), 1112-1118, 1994 | 318 | 1994 |
| Speech waveform perturbation analysis: a perceptual-acoustical comparison of seven measures AG Askenfelt, B Hammarberg Journal of Speech, Language, and Hearing Research 29 (1), 50-64, 1986 | 208 | 1986 |
| Musical performance: A synthesis-by-rule approach J Sundberg, A Askenfelt, L Frydén Computer Music Journal 7 (1), 37-43, 1983 | 205 | 1983 |
| Measurement of the bowing parameters in violin playing. II: Bow–bridge distance, dynamic range, and limits of bow force A Askenfelt The Journal of the Acoustical Society of America 86 (2), 503-516, 1989 | 165 | 1989 |
| Measurement of bow motion and bow force in violin playing A Askenfelt The Journal of the Acoustical Society of America 80 (4), 1007-1015, 1986 | 155 | 1986 |
| Numerical simulations of piano strings. II. Comparisons with measurements and systematic exploration of some hammer‐string parameters A Chaigne, A Askenfelt The Journal of the Acoustical Society of America 95 (3), 1631-1640, 1994 | 125 | 1994 |
| Measuring the rate of change of voice fundamental frequency in fluent speech during mental depression Å Nilsonne, J Sundberg, S Ternström, A Askenfelt The Journal of the Acoustical Society of America 83 (2), 716-728, 1988 | 120 | 1988 |
| On vibration sensation and finger touch in stringed instrument playing A Askenfelt, EV Jansson Music Perception 9 (3), 311-349, 1992 | 117 | 1992 |
| From touch to string vibrations. I: Timing in the grand piano action A Askenfelt, EV Jansson The Journal of the Acoustical Society of America 88 (1), 52-63, 1990 | 113 | 1990 |
| From touch to string vibrations. II: The motion of the key and hammer A Askenfelt, EV Jansson The Journal of the Acoustical Society of America 90 (5), 2383-2393, 1991 | 96 | 1991 |
| Five Lectures on the Acoustics of the Piano A Askenfelt Royal Swedish Academy of Music, 1990 | 82 | 1990 |
| What tells you the player is musical? An analysis-by-synthesis study of music performance J Sundberg, L Fryden, A Askenfelt Studies of music performance 39, 61-75, 1983 | 81 | 1983 |
| From touch to string vibrations. III: String motion and spectra A Askenfelt, EV Jansson The Journal of the Acoustical Society of America 93 (4), 2181-2196, 1993 | 78 | 1993 |
| A comparison of contact microphone and electroglottograph for the measurement of vocal fundamental frequency A Askenfelt, J Gauffin, J Sundberg, P Kitzing Journal of Speech, Language, and Hearing Research 23 (2), 258-273, 1980 | 74 | 1980 |
| Piano string excitation V: Spectra for real hammers and strings DE Hall, A Askenfelt The Journal of the Acoustical Society of America 83 (4), 1627-1638, 1988 | 71 | 1988 |
| Acceptance limits for the duration of pre-Helmholtz transients in bowed string attacks K Guettler, A Askenfelt The Journal of the Acoustical Society of America 101 (5), 2903-2913, 1997 | 70 | 1997 |
| Larynx height and voice source: a relationship? J Sundberg, A Askenfelt na, 1983 | 68 | 1983 |
| Measuring bow force in bowed string performance: Theory and implementation of a bow force sensor M Demoucron, A Askenfelt, R Causse Acta Acustica united with Acustica 95 (4), 718-732, 2009 | 67 | 2009 |
| Observations on the violin bow and the interaction with the string A Askenfelt STL-QPSR 36 (2-3), 107-118, 1995 | 61 | 1995 |
| An empirical investigation of bow-force limits in the Schelleng diagram E Schoonderwaldt, K Guettler, A Askenfelt Acta Acustica united with Acustica 94 (4), 604-622, 2008 | 51 | 2008 |
