| Quicker, faster, darker: Changes in Hollywood film over 75 years JE Cutting, KL Brunick, JE DeLong, C Iricinschi, A Candan i-Perception 2 (6), 569-576, 2011 | 179 | 2011 |
| Perceiving event dynamics and parsing Hollywood films. JE Cutting, KL Brunick, A Candan Journal of experimental psychology: human perception and performance 38 (6 …, 2012 | 106 | 2012 |
| Movies, evolution, and mind: Fragmentation and continuity JE Cutting, A Candan The Evolutionary Review 4 (3), 25-35, 2013 | 51 | 2013 |
| Shot durations, shot classes, and the increased pace of popular movies JE Cutting, A Candan Projections 9 (2), 40-62, 2015 | 46 | 2015 |
| Language and age effects in children's processing of word order A Candan, AC Küntay, Y Yeh, H Cheung, L Wagner, LR Naigles Cognitive Development 27 (3), 205-221, 2012 | 44 | 2012 |
| The role of perspective in event segmentation KM Swallow, JT Kemp, AC Simsek Cognition 177, 249-262, 2018 | 12 | 2018 |
| RSVP at the movies: dynamic images are remembered better than static images when resources are limited A Candan, JE Cutting, JE DeLong Visual Cognition 23 (9-10), 1205-1216, 2015 | 5 | 2015 |
| Role of word order and accusative case marking in sentence comprehension in 17-to 39-month-old Turkish children A Candan Unpublished doctoral dissertation). Koç University, Istanbul, Turkey, 2009 | 1 | 2009 |
| Shot Durations, Shot Classes, and the Increased Pace of Popular Movies E James, A Candan | | |
James E CuttingSusan Linn Sage Professor Emeritus, Psychology, Cornell UniversityVerified email at cornell.edu
