Bénédicte POULIN-CHARRONNAT
Bénédicte POULIN-CHARRONNAT
Directrice de recherche LEAD - CNRS UMR5022 Université Bourgogne Franche-Comté
Verified email at u-bourgogne.fr
Title
Cited by
Cited by
Year
Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training
E Bigand, B Poulin-Charronnat
Cognition 100 (1), 100-130, 2006
5752006
Musical structure modulates semantic priming in vocal music
B Poulin-Charronnat, E Bigand, F Madurell, R Peereman
Cognition 94 (3), B67-B78, 2005
1362005
Children's implicit knowledge of harmony in Western music
EG Schellenberg, E Bigand, B Poulin‐Charronnat, C Garnier, C Stevens
Developmental science 8 (6), 551-566, 2005
1352005
Processing of musical syntax tonic versus subdominant: an event-related potential study
B Poulin-Charronnat, E Bigand, S Koelsch
Journal of Cognitive Neuroscience 18 (9), 1545-1554, 2006
842006
Repetition priming: Is music special?
E Bigand, B Tillmann, B Poulin-Charronnat, D Manderlier
The Quarterly Journal of Experimental Psychology Section A 58 (8), 1347-1375, 2005
752005
The influence of task-irrelevant music on language processing: syntactic and semantic structures
L Hoch, B Poulin-Charronnat, B Tillmann
Frontiers in psychology 2, 112, 2011
572011
Challenging prior evidence for a shared syntactic processor for language and music
P Perruchet, B Poulin-Charronnat
Psychonomic bulletin & review 20 (2), 310-317, 2013
562013
Empirical evidence for musical syntax processing? Computer simulations reveal the contribution of auditory short-term memory
E Bigand, C Delbé, B Poulin-Charronnat, M Leman, B Tillmann
Frontiers in Systems Neuroscience 8, 94, 2014
542014
Auditory expectations for newly acquired structures
B Tillmann, B Poulin-Charronnat
Quarterly Journal of Experimental Psychology 63 (8), 1646-1664, 2010
492010
Effects of a change in instrumentation on the recognition of musical materials
B Poulin-Charronnat, E Bigand, P Lalitte, F Madurell, S Vieillard, ...
Music Perception 22 (2), 239-263, 2004
462004
A module for syntactic processing in music?
E Bigand, B Tillmann, B Poulin-Charronnat
Trends in cognitive sciences 10 (5), 195-196, 2006
362006
Beyond transitional probability computations: Extracting word-like units when only statistical information is available
P Perruchet, B Poulin-Charronnat
Journal of Memory and Language 66 (4), 807-818, 2012
352012
The musical Stroop effect
L Grégoire, P Perruchet, B Poulin-Charronnat
Experimental Psychology, 2013
342013
The perceptual structure of thematic materials in The Angel of Death
P Lalitte, E Bigand, B Poulin-Charronnat, S McAdams, C Delbéé, ...
Music Perception 22 (2), 265-296, 2004
332004
The influence of voice leading on harmonic priming
B Poulin-Charronnat, E Bigand, F Madurell
Music Perception 22 (4), 613-627, 2005
292005
New evidence for chunk-based models in word segmentation
P Perruchet, B Poulin-Charronnat, B Tillmann, R Peereman
Acta psychologica 149, 1-8, 2014
282014
Tonal cognition
E Bigand, B Poulin-Charronnat
The Oxford handbook of music psychology, 59-71, 2009
28*2009
The role of expectation in music: from the score to emotions and the brain
B Tillmann, B Poulin‐Charronnat, E Bigand
Wiley Interdisciplinary Reviews: Cognitive Science 5 (1), 105-113, 2014
272014
About the unidirectionality of interference: Insight from the musical Stroop effect
L Grégoire, P Perruchet, B Poulin-Charronnat
Quarterly Journal of Experimental Psychology 67 (11), 2071-2089, 2014
162014
Familiar units prevail over statistical cues in word segmentation
B Poulin-Charronnat, P Perruchet, B Tillmann, R Peereman
Psychological Research 81 (5), 990-1003, 2017
152017
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