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Chris Nash
Chris Nash
Senior Lecturer in Music Technology, UWE Bristol
Verified email at uwe.ac.uk - Homepage
Title
Cited by
Cited by
Year
Liveness and flow in notation use
C Nash, A Blackwell
New Interfaces for Musical Expression (NIME) 2012, 2012
332012
A user experience review of music interaction evaluations
D Brown, C Nash, T Mitchell
technology 23, 28, 2017
302017
Tracking virtuosity and flow in computer music
C Nash, A Blackwell
International Computer Music Conference (ICMC) 2011, 2011
292011
The Cognitive Dimensions of Music Notations
C Nash
Technologies for Notation and Representation (TENOR) 2015 1, 2015
262015
Supporting virtuosity and flow in computer music
C Nash
252012
Manhattan: End-User Programming for Music
C Nash
New Interfaces for Musical Expression (NIME) 2014, 2014
222014
Liveness in Notation Use: From Music to Programming.
L Church, C Nash, AF Blackwell
PPIG, 2, 2010
222010
Leimu: Gloveless music interaction using a wrist mounted leap motion
D Brown, N Renney, A Stark, C Nash, T Mitchell
interaction 1 (2), 3-4, 2016
162016
Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians
D Brown, C Nash, T Mitchell
Digital Creativity 29 (2-3), 129-148, 2018
132018
Flow of Creative Interaction with Digital Music Notations
C Nash, AF Blackwell
The Oxford Handbook of Interactive Audio, 387-404, 2014
122014
Is There a Data Model in Music Notation?
R Fournier-S’niehotta, P Rigaux, N Travers, R Hoadley, C Nash, D Fober
Intl. Conf. on Technologies for Music Notation and Representation (TENOR’16 …, 2016
112016
Understanding user-defined mapping design in mid-air musical performance
D Brown, C Nash, T Mitchell
Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018
92018
An iterative design ‘by proxy’method for developing educational music interfaces
C Ford, C Nash
Birmingham City University, 2020
82020
The'E'in QWERTY: Musical Expression with Old Computer Interfaces.
C Nash
NIME, 224-229, 2016
72016
Thoughts on interactive generative music composition
S Hunt, C Nash, T Mitchell
2nd Conference on Computer Simulation of Musical Creativity, 2017
62017
How can music visualisation techniques reveal different perspectives on musical structure
S Hunt, T Mitchell, C Nash
International Conference on Technologies for Music Notation and Representation, 2017
62017
Was that me? Exploring the effects of error in gestural digital musical instruments
D Brown, C Nash, TJ Mitchell
Proceedings of the 15th International Audio Mostly Conference, 168-174, 2020
52020
Realtime Representation and Gestural Control of Musical Polytempi.
C Nash, AF Blackwell
NIME, 28-33, 2008
52008
Creativity in Children's Digital Music Composition
C Ford, C Nash
NIME 2021, 2021
42021
A cognitive dimensions approach for the design of an interactive generative score editor
S Hunt, T Mitchell, C Nash
Fourth International Conference on Technologies for Music Notation and, 2018
42018
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