Justin London

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Rainer PolakRITMO Centre for Interdisciplinary Studies in Rhythm, Time and MotionVerified email at mail.de
Nori JacobyCornell University and Max Planck Institute for Empirical AestheticsVerified email at ae.mpg.de
marc thompsonFellow, Oxford UniversityVerified email at sbs.ox.ac.uk
Peter E. KellerCenter for Music in the Brain, Aarhus University; MARCS Institute, Western Sydney UniversityVerified email at clin.au.dk
Birgitta BurgerUniversity of Hamburg, GermanyVerified email at uni-hamburg.de
Petri ToiviainenProfessor of MusicVerified email at jyu.fi
Anne DanielsenUniversity of Oslo, RITMO Centre for Interdisciplinary Studies in Rhythm, Time and MotionVerified email at imv.uio.no
Kristian NymoenUniversity of OsloVerified email at ifi.uio.no
Jessica GrahnBrain and Mind Institute, Department of Psychology, University of Western OntarioVerified email at uwo.ca
Daniel J. LevitinMinerva University, McGill UniversityVerified email at minerva.edu
Daniel GoldbergUniversity of ConnecticutVerified email at uconn.edu
PD Dr. Timo FischingerSenior Research Fellow / Music TeacherVerified email at fischart.de
Andre HolzapfelAssociate Professor, Royal Institute of TechnologyVerified email at kth.se
Guilherme Schmidt CâmaraPost Doctoral Research Fellow, RITMO Center for Interdisciplinary Studies in Rhythm, Time and MotionVerified email at imv.uio.no
Ian CrossUniversity of CambridgeVerified email at cam.ac.uk
Tommi HimbergDepartment of Neuroscience and Biomedical Engineering, Aalto UniversityVerified email at aalto.fi
Clemens WöllnerProfessor für Systematische Musikwissenschaft, Hochschule für Musik FreiburgVerified email at mh-freiburg.de
Emily Carlson (Clements), PhDUniversity of JyväskyläVerified email at jyu.fi
Julie NeiworthProfessor of Psychology, Carleton CollegeVerified email at carleton.edu
David HammerschmidtResearch Associate, University of HamburgVerified email at uni-hamburg.de

Justin London

Professor of Music and Cognitive Science, Carleton College

Verified email at carleton.edu - Homepage

Rhythm Timing Embodied Cognition Cross-Cultural Psychology


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Hearing in time: Psychological aspects of musical meter J London Oxford University Press, 2012	1578	2012
The psychology of music: Rhythm and movement DJ Levitin, JA Grahn, J London Annual review of psychology 69 (1), 51-75, 2018	268	2018
Cognitive constraints on metric systems: Some observations and hypotheses J London Music perception 19 (4), 529-550, 2002	196	2002
Some examples of complex meters and their implications for models of metric perception J London Music Perception 13 (1), 59-77, 1995	96	1995
Production and synchronization of uneven rhythms at fast tempi BH Repp, J London, PE Keller Music Perception 23 (1), 61-78, 2005	90	2005
Rhythmic prototypes across cultures: A comparative study of tapping synchronization R Polak, N Jacoby, T Fischinger, D Goldberg, A Holzapfel, J London Music Perception: An Interdisciplinary Journal 36 (1), 1-23, 2018	89	2018
Leitmotifs and Musical Reference in the Classical Film Score J London Music and Cinema, 85-96, 2000	89	2000
Where is the beat in that note? Effects of attack, duration, and frequency on the perceived timing of musical and quasi-musical sounds. A Danielsen, K Nymoen, E Anderson, GS Câmara, MT Langerød, ... Journal of Experimental Psychology: Human Perception and Performance 45 (3), 402, 2019	84	2019
Timing and meter in Mande drumming from Mali R Polak, J London Music Theory Online 20 (1), 2014	80	2014
Both isochronous and non-isochronous metrical subdivision afford precise and stable ensemble entrainment: A corpus study of Malian jembe drumming R Polak, J London, N Jacoby Frontiers in Neuroscience 10, 285, 2016	76	2016
Rhythm histograms and musical meter: A corpus study of Malian percussion music J London, R Polak, N Jacoby Psychonomic bulletin & review 24, 474-480, 2017	73	2017
Synchronization to metrical levels in music depends on low-frequency spectral components and tempo B Burger, J London, MR Thompson, P Toiviainen Psychological research 82, 1195-1211, 2018	70	2018
Loud rests and other strange metric phenomena (or, meter as heard) J London Music Theory Online 2, 1993	62	1993
Building a representative corpus of classical music J London Music Perception: An Interdisciplinary Journal 31 (1), 68-90, 2013	58	2013
Three things linguists need to know about rhythm and time in music. J London Empirical Musicology Review 7, 2012	57	2012
Perception–production relationships and phase correction in synchronization with two-interval rhythms BH Repp, J London, PE Keller Psychological Research 75, 227-242, 2011	54	2011
Some non-isomorphisms between pitch and time J London Journal of Music Theory 46 (1/2), 127-151, 2002	54	2002
Rhythm in twentieth-century theory J London The Cambridge history of Western music theory, 695-725, 2002	49	2002
Musical and linguistic speech acts J London The Journal of Aesthetics and Art Criticism 54 (1), 49-64, 1996	48	1996
Tactus≠ tempo: some dissociations between attentional focus, motor behavior, and tempo judgment. J London Empirical Musicology Review 6 (1), 2011	44	2011

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