| 3D laser scanning for recording and monitoring rock art erosion T Barnett, A Chalmers, M Diaz-Andreu, G Ellis, P Longhurst, K Sharpe, ... International newsletter on rock art: INORA 41, 2005 | 58 | 2005 |
| Digital rock art recording: visualising petroglyphs using 3D laser scanner data I Trinks, M Díaz-Andreu, R Hobbs, KE Sharpe Advancing large-scale high-resolution near-surface geophysical prospection, 207, 2005 | 46 | 2005 |
| ‘Are you local?’Indigenous Iron Age and mobile Roman and post-Roman populations: then, now and in-between R Hingley, C Bonacchi, K Sharpe Britannia 49, 283-302, 2018 | 34 | 2018 |
| Situating cultural technologies outdoors: Empathy in the design of mobile interpretation of rock art in rural Britain A Galani, A Mazel, D Maxwell, K Sharpe Visual heritage in the digital age, 183-204, 2013 | 28 | 2013 |
| ‘I want to be provoked’: public involvement in the development of the Northumberland Rock Art on Mobile Phones project A Mazel, A Galani, D Maxwell, K Sharpe World Archaeology 44 (4), 592-611, 2012 | 23 | 2012 |
| The Prehistoric Rock Art of England: Recording, managing and enjoying our carved heritage. K Sharpe, T Barnett, S Rushton | 18 | 2008 |
| Long Meg: rock art recording using 3D laser scanning M Diaz-Andreu, R Hobbs, N Rosser, K Sharpe, I Trinks Past: the newsletter of the Prehistoric Society, 2005 | 17 | 2005 |
| Rock-art and rough outs: exploring the sacred and social dimensions of prehistoric carvings at Copt Howe, Cumbria KE Sharpe, A Mazel, G Nash, C Waddington Art as Metaphor: the prehistoric rock-art of Britain, 151-73, 2007 | 15 | 2007 |
| Who painted that? The authorship of Schematic rock art at the Los Machos rockshelter in southern Iberia F Martínez-Sevilla, M Arqués, X Jordana, A Malgosa, JAL Rodríguez, ... Antiquity 94 (377), 1133-1151, 2020 | 14 | 2020 |
| Carving a future for British rock art: New directions for research, management and presentation K Sharpe, T Barnett Carving a Future for British Rock Art, 1-240, 2010 | 14 | 2010 |
| Reading between the grooves: regional variations in the style and deployment of ‘cup and ring’marked stones across Britain and Ireland K Sharpe Visualising the Neolithic (Neolithic Studies Group Seminar Papers), 47-63, 2012 | 13 | 2012 |
| Motifs, monuments and mountains: prehistoric rock art in the Cumbrian landscape K Sharpe Durham University, 2007 | 10 | 2007 |
| Moving images: interpreting the Copt Howe petroglyphs K Sharpe, A Watson, T Barnett Carving a Future for British Rock Art: New Directions for Research …, 2010 | 9 | 2010 |
| Three-dimensional rock art recording: a ‘lower cost photogrammetric approach’ PG Bryan, T Barnett, KE Sharpe Carving a Future for British Rock Art, 2-10, 2010 | 8 | 2010 |
| Situating cultural technologies outdoors: designing for mobile interpretation of rock art in rural Britain A Galani, D Maxwell, A Mazel, K Sharpe Museums and the Web 2011: Proceedings (eds J. Trant and D. Bearman). Toronto …, 2011 | 7 | 2011 |
| Close encounters: visibility and accessibility of Atlantic rock art in Scotland T Barnett, J Valdez-Tullett, LM Bjerketvedt, P Frodsham, K Sharpe Abstractions Based on Circles: Papers on prehistoric rock art presented to …, 2022 | 5 | 2022 |
| Connecting the dots. Cupules and communication in the English Lake District KE Sharpe Expression 9, 2015 | 5 | 2015 |
| Keeping the ‘rock art’record straight: an update on the work of the CSI: Rombalds Moor project LD Brown, R Stroud, KE Sharpe, T Barnett Prehistoric Yorkshire 50, 21-8, 2015 | 5 | 2015 |
| Breaking Through Rock Art Recording: Three-Dimensional Laser Scanning of Prehistoric Rock Art T Barnett, A Chalmers, M Díaz-Andreu, G Ellis, R Gillibrand, P Longhurst, ... The 5th International Symposium on Virtual Reality, Archaeology and Cultural …, 2004 | 4 | 2004 |
| Solar panels R Bradley, P Frodsham, K Sharpe Abstractions based on circles. Papers on rock art presented to Stan …, 2022 | 3 | 2022 |
