| Thoughts on interactive generative music composition S Hunt, C Nash, T Mitchell 2nd Conference on Computer Simulation of Musical Creativity, Milton Keynes, UK, 2017 | 6 | 2017 |
| How can music visualisation techniques reveal different perspectives on musical structure S Hunt, T Mitchell, C Nash International Conference on Technologies for Music Notation and Representation, 2017 | 6 | 2017 |
| A cognitive dimensions approach for the design of an interactive generative score editor S Hunt, T Mitchell, C Nash Fourth International Conference on Technologies for Music Notation and …, 2018 | 4 | 2018 |
| Automating algorithmic representations of musical structure using IGME: The Interactive Generative Music Environment S Hunt, T Mitchell, C Nash Innovation in music 1, 1-18, 2019 | 1 | 2019 |
| Exploring polyrhythms, polymeters, and polytempi with the universal grid sequencer framework SJ Hunt Proceedings of the 15th International Conference on Audio Mostly, 101-106, 2020 | | 2020 |
| Composing computer generated music, an observational study using IGME: the Interactive Generative Music Environment C Hunt, Samuel J and Mitchell, Tom and Nash International Conference on New Interfaces for Musical Expression, 2020 | | 2020 |
| Continuation-Musical Note Prediction Through Analysis. S Hunt | | 2016 |
| An Analysis of Repetition in Video Game Music SJ Hunt | | |
Chris NashSenior Lecturer in Music Technology, UWE BristolVerified email at uwe.ac.uk
Chris NashSenior Lecturer in Music Technology, UWE BristolVerified email at uwe.ac.uk