| An interdisciplinary study of the timbre of the classical guitar C Traube McGill University, 2004 | 83 | 2004 |
| Estimating the plucking point on a guitar string C Traube, JO Smith Proc. Conf. on Digital Audio Effects (DAFX’00), Verona, Italy, 153-158, 2000 | 72 | 2000 |
| Indirect acquisition of instrumental gesture based on signal, physical and perceptual information C Traube, P Depalle, M Wanderley Proceedings of the 2003 conference on New interfaces for musical expression …, 2003 | 68 | 2003 |
| Investigating pianists' individuality in the performance of five timbral nuances through patterns of articulation, touch, dynamics, and pedaling M Bernays, C Traube Frontiers in Psychology 5, 67307, 2014 | 62 | 2014 |
| Fine-grained pitch processing of music and speech in congenital amusia B Tillmann, E Rusconi, C Traube, B Butterworth, C Umilta, I Peretz The Journal of the Acoustical Society of America 130 (6), 4089-4096, 2011 | 60 | 2011 |
| Verbal expression of piano timbre: Multidimensional semantic space of adjectival descriptors M Bernays, C Traube Proceedings of the international symposium on performance science (ISPS2011 …, 2011 | 37 | 2011 |
| Extraction of the excitation point location on a string using weighted least-square estimation of a comb filter delay C Traube, P Depalle Proceedings of the Conference on Digital Audio Effects (DAFx), 188-191, 2003 | 37 | 2003 |
| An interdisciplinary approach to audio effect classification V Verfaille, C Guastavino, C Traube Proc. Of the 9th Int. Conference on Digital Audio Effects, 2006 | 35 | 2006 |
| Extracting the fingering and the plucking points on a guitar string from a recording C Traube, JO Smith Proceedings of the 2001 IEEE Workshop on the Applications of Signal …, 2001 | 35 | 2001 |
| Expressive production of piano timbre: touch and playing techniques for timbre control in piano performance M Bernays, C Traube Proceedings of the 10th Sound and Music Computing Conference (SMC2013), 341-346, 2013 | 28 | 2013 |
| Exhausting repetitive piano tasks lead to local forearm manifestation of muscle fatigue and negatively affect musical parameters E Goubault, F Verdugo, J Pelletier, C Traube, M Begon, F Dal Maso Scientific Reports 11 (1), 8117, 2021 | 23 | 2021 |
| On making and playing an electronically-augmented saxophone S Schiesser, C Traube Proceedings of the 2006 conference on New interfaces for musical expression …, 2006 | 23 | 2006 |
| Verbal description of piano timbre: Exploring performer-dependent dimensions M Bellemare, C Traube Proceedings of the 2nd Conference on Interdisciplinary Musicology (CIM05 …, 2005 | 23 | 2005 |
| Phonetic gestures underlying guitar timbre description C Traube, P Depalle Proceedings of 8th International Conference on Music Perception and …, 2004 | 23 | 2004 |
| Tracking the creative process in music: New issues, new methods N Donin, C Traube Musicae Scientiae 20 (3), 283-286, 2016 | 21 | 2016 |
| Effects of trunk motion, touch, and articulation on upper-limb velocities and on joint contribution to endpoint velocities during the production of loud piano tones F Verdugo, J Pelletier, B Michaud, C Traube, M Begon Frontiers in Psychology 11, 1159, 2020 | 18 | 2020 |
| Timbral analogies between vowels and plucked string tones C Traube, P Depalle 2004 IEEE International Conference on Acoustics, Speech, and Signal …, 2004 | 18 | 2004 |
| Time history of upper-limb muscle activity during isolated piano keystrokes V Degrave, F Verdugo, J Pelletier, C Traube, M Begon Journal of Electromyography and Kinesiology 54, 102459, 2020 | 16 | 2020 |
| Learning to play the guitar at the age of interactive and collaborative Web technologies AM Burns, S Bel, C Traube Proceedings from Sound and Music Computing Conference, 77-84, 2017 | 15 | 2017 |
| Piano touch analysis: A MATLAB toolbox for extracting performance descriptors from high-resolution keyboard and pedalling data M Bernays, C Traube Journées d'Informatique Musicale, 2012 | 14 | 2012 |
